She was never a “love me, I’m a lovable little girl” kind of actress. She always challenged the audience, and that wasn’t the fashion in those days. On the hoof, when people first saw her, they felt something arrogant in her playing. Later, by sheer feeling and skill, she bent them to her will. Of course, her quality of not asking for pity, not caring whether people liked her or not, was ideal for The Philadelphia Story. [Philip] Barry wrote it for her. — George Cukor

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